Bruce McLean Poses on a plinth 1971
Bruce McLean Poses on a plinth 1971
Mathew Reed Trapped in a box
CD cover art - Tori Amos - photographer unknown 1992
Kate Bush album cover 1978
Tuesday, 4 February 2014
Growth And Evolution - Figure constrained by objects or a space
Growth and Evolution - Keith Arnatt Self Burial
Keith Arnatt - Self Burial 'Televison Interference Project 1969
Arnatt was fascinated with works of art that are created in the natural landscape but leave no trace of their presence behind. ‘The continual reference to the disappearance of the art object suggested to me the eventual disappearance of the artist himself’, he wrote. This sequence of photographs was broadcast on German television in October 1969. One photo was shown each day, for about two seconds, sometimes interrupting whatever programme was being shown at peak viewing time. They were neither announced nor explained – viewers had to make what sense of them they could.
Portrait of the Artist as a Shadow of his Former Self 1969-72
Keith Arnatt
Monday, 3 February 2014
Growth and Evolution - Growth different viewpoints looking up and looking down
Paintings - but great ideas for composition
Paul R Turner
evelina-kremsdorf.
Looking up
Thomas Hawk
Earth Air Fire Water - Water - Flora Borsi - Susan Derges
Flora Borsi
Susan Derges
Susan Derges
Susan Derges
Susan Derges
Susan Derges
Susan Derges
Portrait based work and experimental photography outside the camera using photographic paper laid at on river beds and exposed to create an image
website
Sunday, 2 February 2014
Growth And Evolution - Growth - Buildings Urban Landscape - Impossible Buildings
Michael Wolf - Urban Landscapes
website five transparent city
Andreas Gursky
Architectural Photographer
Amy Casey
Amy Casey is a painter - but her painted images have a collage aspect to them that could be developed or explored through photography
website
Buildings growth
website
Andreas Gursky
Architectural Photographer
The perspective in many of Gursky’s photographs is drawn from an elevated vantage point. This position enables the viewer to encounter scenes, encompassing both centre and periphery, which are ordinarily beyond reach. Visually, Gursky is drawn to large, anonymous, man-made spaces—high-rise facades at night, office lobbies, stock exchanges, the interiors ofbig box retailers
......................................................................................................................................Amy Casey
Amy Casey is a painter - but her painted images have a collage aspect to them that could be developed or explored through photography
website
Buildings growth
website
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